Love Me Deadly

Lindsay Finch is filthy rich, pretty, and horny for cadavers. That’s why she spends her days at funerals, where, once the mourners leave, she gets her kicks from the slowly putrefying bodies. The local funeral-home director catches on and promptly assembles a coven of Satanist necrophiles in the back room . . . This might be the most grotesque piece of cinematic Mansoniana, helmed by a veritable one-shit wonder—but produced by none other than junkyard entrepreneur and emerging outsider artist of car-crash cinema, Henry Blight Halicki (Gone in 60 Seconds, 1974)! (Olaf Möller)