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The Last House on Dead End Street

Roger Watkins | US 1977 | 78 Min | DCP

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Part of A Night to Dismember

Film students, take your seats. Today’s extracurricular lesson: how to shoot a movie on virtually no budget, squeeze every last drop out of your human and technical resources, and actually make money and history to boot. Exhibit A: student (and later master of porn eccentrica) Roger Watkins’s The Last House on Dead End Street, the story of a Manson-esque amateur filmmaker (played by Watkins himself) who shoots snuff movies with other self-taught filmmakers, porn veterans, and assorted luminaries on an abandoned college campus . . . Yep, grindhouse à la Godard—that should hit the spot! (Olaf Möller)

For this screening, strict age restrictions apply (18+).

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Roger Watkins

(1948–2007) studied English Literature and served as an apprentice for film directors Freddie Francis, Otto Preminger, and Nicholas Ray. In the late 1970s, he began working in the adult film industry, writing the screenplay for Roberta Findlay’s Mystique (1979) and working as a director (e.g., Her Name Was Lisa, 1979, starring Samantha Fox) until the late 1980s, mostly under the name Richard Mahler (an amalgamation of Richard Wagner and Gustav Mahler). It was only in the year 2000 that he disclosed a well-kept secret: that it was he who had directed, produced, and starred in the cult classic The Last House on Dead End Street (1977), which he had filmed in 1972 and whose original, lost three-hour cut was titled The Cuckoo Clocks of Hell.
Language Version
eOV
Cast
Steven Morrison (=Roger Watkins), Dennis Crawford (=Ken Fisher), Lawrence Bornman (=Bill Schlageter), Janet Sorley (=Kathy Curtin), Elaine Norcross (=Pat Canestro)
Writer
Brian Laurence (=Roger Watkins)
Editing
Brian Newett (=Roger Watkins)
Cinematography
Alexander Tarsk (=Ken Fisher)